Equal parts fun and thrilling, A Simple Favor keeps the plates spinning on its central mystery until the very end. The 2020 Movies That Are Streaming Online Early, What Happens If Trump Can't Fulfill His Duties, Dickies Work Pants Are the Brand at Its Best, The Turntable to Buy for Killer Sound and Style, This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. The pharmaceutical conspiracy plot about wrongly accused lawyer Du Qiu (Hanyu) running from noble detective (Fukuyama) is merely a way to connect all the pieces in this insanely elaborate, goofy puzzle. It might suffer from a patchwork script, a lack of sincere characterization, and tonal shifts that are more chaotic than any shark-on-whale battle (and there are several), but damn if it doesn’t look pretty. It'd probably turn out like this.Where to see it right now: Rent on iTunes, Amazon Video, VUDU, and YouTube (watch the trailer), Released: April 11Cast: Jon Hamm, Rosamund Pike, Dean Norris, Shea WhighamDirector: Brad Anderson (The Machinist)Why it's great: This is a film made by seasoned professionals. ‘Padmaavat’ is an entertaining, large canvas experience, brought to life by strong performances combined with Sanjay Leela Bhansali’s stroke of visual brilliance. There’s no audience surrogate without Blunt, and that means the tale most likely won’t be as emotionally powerful, but it still looks to be a violent, tension-filled action/thriller, and that’s more than enough for me. She springs back to life. Filmworker, Tony Zierra’s outstanding documentary about Vitali, is a portrait of a man who subsumed his own priorities and personality in order to be whatever his employer required, which in this case included operating as an acting coach, a script supervisor, an exacting technician, and an advertising manager. When the notion of a Bumblebee spin-off movie was first put forth, initial reaction assumed it would just be more of the same, and a shrewd way to keep the franchise going. All of that said, Ron Howard has made some good movies, and this cast is pretty killer, so sure… we’re looking forward to it. Oh, and Dick Van Dyke, Meryl Stree, Colin Firth, Emily Mortimer, Julie Walters, Angela Lansbury, and Ben Wishaw. Not really -- a second-act twist involving a bearded Dominic West is both predictable and baffling -- but Vikander sells the preposterous plot with the same Oscar-winning gusto she brings to pondering ancient riddles. (At one point, the Americans must kidnap the film's fictional Russian President to prevent a military coup.) – Francesca Fau, T’Challa, the Black Panther, ruler of the unconquerable nation of Wakanda and King of the Dead. But everyone is really going for it here, attempting to squeeze every ounce of Muscle Milk from the bottle. Okay fine, I turned off Bubble twenty minutes in, but my point stands in general! The latest sequel also ignores the events of every movie bar the first one (sorry Predator 2, we still love you), so it’s like a rebirth of sorts. If enough people see it, it may slow the low-key, steady revision of history that is almost bound to happen, as Vice wants to make the case for why we need to avoid the likes of Dick Cheney–a mostly amoral man with little regard for other human beings and no respect for the limits of power–but it can’t quite decide how it wants to present its argument. And like a work of art, it is created by artists.” These words might appear to be euphemisms in that story, but such a vision of romance is paramount to Colette, the unexpectedly beguiling biopic about the author’s life. Set to an eclectic score (sharp strings, harsh noise) that’s sometimes at odds with the action, Nyoni’s drama—playing like a droll, horrifying 21st century riff on The Crucible—is a startlingly inventive story about modern institutionalized misogyny. A mournful ghost story that doubles as an act of resurrection and reclamation, it’s a saga about past crimes with undeniable present relevance. It's a solid, creatively rich time for action movies. on Amazon. So perhaps that is why it took one of the most revered maestros behind those cultural touchstones to not just make the Ready Player One movie, but to make it so well. – Rob Hunter, Ryan Reynolds was born to play the Merc with the mouth. The Best Horror Movies for Kids (and Scaredy-Cats) The 25 Best Feel-Good Movies to Watch When You’re Feeling Down by Collider Staff September 18, 2020 Copyright © 2018 Fandango. Eastwood’s lined visage and creaky comportment can’t dull his fiery spirit in this based-on-real-events drama, which finds the Hollywood icon amusingly raging against modernity’s Internet-and-smartphone addictions, even as his down-on-his-luck character grapples with the familial cost of putting personal obsessions above all else. Watch You Were Never Really Here on Amazon. The plot is needlessly dense -- the main villain (Stevenson) is searching the arena for his brother, a political dissident who faked his death, got facial reconstruction surgery, grew a beard, and now looks like Pierce Brosnan -- but the low-budget action is effective and Bautista is charismatic. (The bathroom fight and the helicopter chase share top honors.) Led by a luminous Emily Blunt, Mary Poppins Returns is obviously engineered to revisit, and frankly remake, the 1964 classic where every child learned the words to “Chim Chim Cher-ee,” but the end result nevertheless feels handcrafted and miraculously sincere. Honorable Mention:Dead Souls, The Sisters Brothers, Hold the Dark, November, Revenge, Terrified, BlacKkKlansman, Sweet Country, Let the Sunshine In, Can You Ever Forgive Me? The convoluted set-up is mostly an excuse to cram the movie with rapid-fire jokes, comic book allusions, and dream-like imagery that puts the rubbery CG imagery of most contemporary animated films to shame. – Liz Baessler, Video game adaptations always unease critics and audiences alike, but as someone who spent many hours playing Tomb Raider in its various sequels and reboots I am more than ready for this take on Lara Croft. With a lurid conspiracy at the heart of their separation at birth, which leads to sometimes tragic and sometimes heartfelt consequences as the decades pass and the 1980s news media loses interest, here is one of the most surprising and engrossing docs in this year or any other. Hit documentary Won’t You Be My Neighbor? The equivalent of one film per week, listed in chronological order, that can serve as your roadmap to the year in film. Like that film, and several of the other screenplays he’s penned, the filmmaker borrows familiar genre conceits to craft something provocatively counterintuitive and richer than many of its conceptual influences. It’s been eight long years since writer-director Debra Granik last wowed us with the riveting Winter’s Bone (which put Jennifer Lawrence on the map), and it’s with great delight that we can say her latest feature, Leave No Trace, exits 2018 as one of the year’s finest films. As one of the best feature film debuts that I’ve seen in the last half-decade, Sorry to Bother You comes out of the gate fully formed and driven by a burgeoning auteur’s perspective… This aesthetical rope-a-dope is apparent from the very first scene in which Lakeith Stanfield sits in an office ready to charm his way into a telemarketing job. Let’s get nuts. With a score from Clint Mansell (Pi, Black Swan), a cast that includes Alexander Skarsgård, Paul Rudd, and Justin Theroux, and Jones himself describing it as a Casablanca-inspired spiritual sequel to 2009’s Moon, there’s a lot to get hyped about. So many powerful women stealing so many sparkly things. Is it horror smash – Kieran Fisher, Think Who Framed Roger Rabbit meets The Muppets, and you’ll have an idea of this long in the making comedy/thriller from Brian Henson. Baazaar is a gripping thriller about money, power and the stock market. The Russos have upped their game as directors here, mostly ditching the hand-held, grittier look of Captain America: The Winter Soldier and Captain America: Civil War for real scope and grandeur. One of the friends assaults Jen, violating her in the morning after a night of partying, and later the three men push her off a cliff, leaving her to die in the sweltering desert heat. It’s an authentic approach, even if the movie smooths out the edges with the type of occasionally maudlin gloss one can expect from a studio YA movie. Maybe next time they'll crack the whole code.Where to see it right now: Rent on iTunes, Amazon Video, VUDU, and YouTube (watch the trailer), Released: January 19Cast: Gerard Butler, Pablo Schreiber, O'Shea Jackson Jr., Curtis "50 Cent" JacksonDirector: Christian GudegastWhy it’s great: If there's one thing you've probably heard about this often ridiculous bank robbery epic, it's that it steals shamelessly from Michael Mann's crime saga Heat. The movie is based on John Guy’s biography, My Heart is My Own: The Life of Mary Queen of Scots. No. Anyone of those shots in the Bob Ross-themed trailer could have been on One Perfect Shot. Overall though, Searching succeeds at telling its story with clarity and purpose, while keeping us concerned about the fate of Margot and how her father will ultimately deal with it. Following a perverse cold open, in which mere mortals attempt to commune with the living manifestation of evil—our dear Michael Myers—John Carpenter’s sinister score begins. Yet as Carpenter’s musical enmity grows, so too does the pumpkin’s face, inflating like a candlelit beach ball. Everything is fine until the man is falsely accused of raping a woman after being set up by a racist cop, and now the rush to free him before his baby is born becomes a clear priority. Life on the margins is imagined in multifaceted terms by Japanese auteur Hirokazu Kore-eda in Shoplifters, an achingly empathetic story about a makeshift Japanese household that steals to survive. Luckily the white employer conducting the interview sees such flexibility with the truth as perfect prerequisites for a career in salesmanship. There has been much made since Thoroughbreds’ Sundance premiere last year of its similarities to Heathers and other mean teen sprees. Orphans!) While Mission: Impossible -- Fallout isn't the best entry in the super-spy series -- my vote goes to Brad Bird's dazzling Ghost Protocol or Brian de Palma's thrilling 1996 original -- it has a keen sense of history, a wry sense of humor, and a handful of breath-taking set-pieces. It shouldn’t work really, but it does a terrific job with its characters and the empathy that builds between them. Robert Greene’s daring and dexterous Bisbee ’17 refuses to consign those unjustly persecuted victims to the forgotten realms of history, instead using traditional documentary footage and dramatic reenactments—often taking the surprising form of musical numbers—to revisit that calamitous event.
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